Arri alexa aspect ratio. In our example, the final target format is set to DCI 4K 2.

Arri alexa aspect ratio With the VFX facillity we Electronic Viewfinder Set for ALEXA Studio/ALEXA XT Studio (K0. 1. 59 mm x 25. The Arri Alexa 35 can capture true 4k, UHD 16:9, and open gate, which is well-suited to anamorphic lenses and multi-aspect ratio capture. This movie was shot with anamorphic lenses, which means that at first the image looks squeezed along the x-axis. Knowing these values, the crop factor can be calculated by dividing the sensors diagonals by each other: Sep 11, 2020 · The full resolution of the Mini LF sensor is the same size as the Alexa LF. Nov 30, 2016 · My question is: can I shoot open gate sensor mode (target aspect ratio 1,78:1 this is: 3414X1920) and have the camera do the up-sample to UHD recorded in Pro-Res 4444 XQ? Thank you for your help Andreu Rebés AEC Jun 2, 2017 · ProRes: S16 HD: 1920 x 1080 (up-sampled from 1600 x 900) HD: 1920 x 1080 2K Cine 16:9: 2048 x 1152 3. They probably used the ARRIRAW 16:9 sensor mode with a spherical lense. 1. On the Arri Alexa Mini, meticulous planning includes deciding on the aspect ratio and resolution that suits our project best. The dimensions of the video files are 3424x2202 with a pixel aspect ratio of 2. Knowing that the IMAX release would allow for aspect ratio changes at different points in the film, Fraser shot certain parts of the story in 2. The update includes some long-awaited features including new dedicated Super35 recording modes that match those found on the original ALEXA MINI. 78 The first ARRI ALEXA was shipped in June 2010. 39:1 (Scope). 5k and is slightly larger than full frame at roughly a 3:2 aspect ratio. Arri Alexa 65, Panavision Ultra Panatar II Lenses; Laboratory. TEST 1 OBJECTIVE: Demonstrate any differences in the visually perceived spatial relationship between foreground, middle-ground, and background objects for each sensor size. Footage review. 0. Its 35mm-sized CMOS sensor features a titanium PL mount and a 4:3 aspect ratio. Buy ARRI ALEXA 35 Body & ARRI PL Mount Set (LBUS) featuring 4. I am media managing on an upcoming job that will be shooting Arri Alexa LF Open Gate- 4448x3096 resolution, or 1. 0x anamorphic lens. g. Aspect Ratio (short: A/R) is the width of an image or screen, divided by the height. for a 4K Digital Cinema Package (DCP) in scope with a final resolution of 4096x1716 (= 4K DCI scope). 2:1, which is 6:5. Some features of previous ALEXA cameras are not available in ALEXA SXT cameras anymore: ALEXA SXT cameras do not have the option of recording DNxHD, since DNxHD was simply not very popular as a recording format. 00 USD; ARRI ALEXA Mini LF Camera & Lens Mount Set $58,890 USD; There are bunch of accessory sets (called Ready To Shoot Sets) that include the Mini LF with LPL mount and LPL-PL adapter, or you have the opportunity to just purchase every item individually. 39 divided by 1. Brief overview of the ALEXA ecosystem; Camera settings, control, and menus; Setting up the camera; Resolutions, aspect ratios, frame rates, high-speed mode; Hands-on exercise: Camera builds, setting up for a project; Exposure dynamics: Exposing for Log C & BT709; Shooting exercise: Exposure, aspect ratios, frame rates, etc. All Master Anamorphic lenses cover this area. 7 lbs. 90:1 and a regular screen, and can confirm that both XD and IMAX formats had extra picture per frame at top and bottom. 39:1, knowing this before hitting the record button is paramount. 90 : 1 (Digital IMAX: some scenes) 2. com is reporting that the movie will have an aspect ratio of 1. 16:9 and 4:3 are also options for Open Gate, so it is a more flexible sensor that supports various aspect ratios. As source format we choose ALEXA 35 with 4. 35 widescreen, or 2:1 which has become a popular streaming format. 60mm, and ARRI’s own ALEXA 65 has a whopping 54. 8K LF 1:1 – 2. 2K: 3200 x 1800 4K UHD: 3840 x 2160 (up-sampled from 3. May 25, 2023 · For the foreseeable future, ARRI now has the ALEXA 65 for 65, the ALEXA LF and ALEXA MINI LF for large format, the ALEXA 35 for Super 35, and the AMIRA Live for live and broadcast applications. 6 3:2 open gate mode, along with a e. DUNE PART 1 and DUNE PART 2 are examples. 8K ARRIRAW and a small part in 3. Arri Alexa LF, Hawk class-X, V-Lite and Vantage One Lenses; Arri Alexa Mini LF, Hawk class-X, V-Lite and Vantage One Lenses; Panasonic Just imagine the data savings on a show that shoots 1:2 4,5K, cropped versus one that shoots 1:2 in the full sensor 4,5K. FPS S35 16:9, 4:3 Sep 1, 2024 · Format: mostly 4:3 2. The used lens is a 2. Therefore will always be updated over time. If you shoot 16:9 with a 1. 54 mm Sensor • 4448 x 3096 Maximum Resolution Oct 10, 2022 · ARRI ALEXA 35 Digital Cine Camera – ARRI has just released a nice little helper in the form of a pdf poster but in a different aspect ratio. 90 : 1 (IMAX version) 2. They were shot on Arri Alexa Mini LF’s, cameras capable of shooting in IMAX’s native aspect ratio of 1. 78:1 aspect ratio of the available pixels on the ALEXA sensor. 8K in either ARRIRAW or Apple ProRes. The LF’s image sensor has a native aspect ratio of 1. Nov 30, 2016 · My question is: can I shoot open gate sensor mode (target aspect ratio 1,78:1 this is: 3414X1920) and have the camera do the up-sample to UHD recorded in Pro-Res 4444 XQ? Thank you for your help Andreu Rebés AEC ProRes: S16 HD: 1920 x 1080 (up-sampled from 1600 x 900) HD: 1920 x 1080 2K Cine 16:9: 2048 x 1152 3. 10 percent safety crop. ARRI has released SUP 7. FPS S35 16:9, 4:3 If you shoot 4:3 with a 1. 39:1, In service for the last 30 years, the ARRIFLEX 765 combines the ergonomics of a 35 mm camera with the ultimate image quality of 65 mm film. ALEXA SXT cameras do not support ALEXA Look Files with a 1D LUT. 39:1 aspect ratio). At the center of the new camera is a completely new 4K Super 35-format sensor, in ARRI’s familiar 3:2 aspect ratio, featuring 4. Arri Alexa 65 IMAX, Panavision Sphero 65 and Ultra Panatar Lenses; Laboratory. 3K 6:5 (3328 x Aspect ratio. ALEXA SXT cameras do not support the Fiber Remote option. 39 : 1 (theatrical ratio) Camera. 58 mm. 0) which contains everything needed to equip an ALEXA XT Studio with the Electronic Viewfinder EVF-1. The ALEXA Mini LF was announced just over 2 years ago and a lot of people were surprised that the camera didn’t feature any Super 35 recording formats. 60 mm. Sources: Alexa 35 (Arri Official Website), articles from I love watching movies in their tall IMAX aspect ratio, ARRI Alexa Mini Doctor Strange 60 min 2. Almost every aspect of the frame lines can be manipulated on the composer from the amount of shading in the “surround view” to how far the pillarbox lines extend if you choose to have a 2nd aspect ratio. 71220. This June, ALEXA is 10 years young! A sensor mode defines an aspect ratio, which defines the area on the sensor Jan 24, 2024 · Aspect ratio changes from 1. ALEXA SXT cameras do not support 8, 16 and 32 GB SxS PRO cards. 90 : 1 (IMAX version; some scenes) 2. 96mm x 21. 90:1 ARRI Alexa 65 Black Panther Mar 28, 2019 · ALEXA Mini LF allows internal recording of MXF/ARRIRAW or MXF/Apple ProRes in a variety of formats and aspect ratios, and is the first camera to feature the new Compact Drive recording media from Codex, an ARRI technology partner. Photosite Math For a 2:1 aspect ratio end result (after de-squeezing in post) you need at least 2880 x 2880 photosites on the If your goal is to shoot a project with 2x anamorphic lenses and a 2:1 delivery aspect ratio, set the ALEXA Mini LF to 2. 15 x 25. 6K Super 35 ARRI ALEV 4 CMOS Sensor, Up to 4. 4K Open Gate mode (at 2:1 aspect ratio) a sensor area of 28. Dune isn’t the first movie to use the LF, but it’s the first time they decided to use the whole 1. 12mm x 25. Just like the Sony VENICE’s aspect ratio-agnostic sensor, the ALEXA LF has the ability to be used in three different sensor modes: Aspect ratio. An on-screen menu provides both EVF and basic camera control. It was shot with the ARRI Alexa LF digital camera, a standard 3rd party camera that any production can use. The 4:3 aspect ratio was originally left over from the film days, and now has been put to good use by VFX-heavy feature films. 39:1 image by a factor of 2, and the resulting area used on the sensor has a 1. The ALEXA Mini LF camera body with an LPL lens mount weighs 2. All ARRI Master Anamorphic lenses cover this area. In landscape orientation, the A/R is > 1, for portrait orientation the A/R is < 1 and for square screens, this is = 1. Arri Alexa 65, Arri Prime DNA Lenses; Arri Alexa Mini LF, Arri DNA LF Lenses; Laboratory. A 16:9 mode is tailor-made for capturing UHD footage at 3840×2160 (using a 31. 2) aspect ratio. 4. Specifically for ALEXA: 19mm rod bridge plate (BP-12), Because 2. The original image dimensions were 2880×2160, essentially an aspect ratio of 4:3. 43. Feb 19, 2025 · The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. Kit includes: LPL Mount w/ calibrated PL Just imagine the data savings on a show that shoots 1:2 4,5K, cropped versus one that shoots 1:2 in the full sensor 4,5K. While IMDB. 4K OG ARRIRAW with 16:9 aspect ratio Camera: ARRI ALEXA Mini (the first story partly on ARRI XT) Lens: Angenieux Optimo 28-76 mm ALEXA Classics with the XR Module upgrade will maintain their native 16:9 aspect ratio, unless the camera is further upgraded to the taller 4:3 sensor, which is standard in all ALEXA XTs. With the VFX facillity we Oct 26, 2018 · intended deliberable has a 2:1 aspect ratio. This can be achieved with the Arri Alexa 35 camera in 4. Thank you for listening and looking forward to getting my personal Alexa Mini LF very soon! JJ DOP Denmark. Jan 24, 2024 · Aspect ratio changes from 1. 58mm (active image area) sensor. 43:1 to fill the IMAX screen. 0 for their popular ALEXA MINI LF camera system. We’re talking bucket-size lenses here. 43 : 1 (IMAX GT Laser & IMAX 70MM: some scenes) Arri Alexa 65, Arri Rental Moviecam, Prime DNA, IronGlass Helios, Jupiter, Mir, Optica Elite, and ALEXA Classic 709 - matches the color reproduction to the ARRI ALEXA; ARRI 2100 HLG 1K 200 - renders an image for a HLG (Hybrid Log Gamma, ITU-R BT. 1 Target Aspect Ratio 1. The ALEXA Mini combined with the Super Speeds on open gate was the ideal combo. 39:1 look we normally see. 43 : 1 (IMAX Laser: some scenes) 1. Since Alexa 65 is 54. 4K and the framing was intended for 2. 39 cropped from the full sensors Feb 24, 2025 · This was shot digitally on an Arri Alexa 65 and once again, Mickey 17 Aspect Ratio Mystery. 78:1 3. Furthermore, this new ALEXA Mini LF 2. Aspect ratio. . Sup 7. So if you still wanted 16:9 you'd be cropping, and for what? Any reason you need an alexa for this when you are still grappling with these things? The ALEV 4 improves on the previous Alexa sensors by adding 2. 43:1. In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. 33 to 1. 8K 1:1 salubrious sensor mode has an image circle of 33. of ARRI digital motion picture cameras page 1 of 3 Recording Codec Recording Resolution Sensor Active Image Area (photosites) Recording File Container Size (pixel) Recording File Image Content (pixel) Sensor Image Area (mm) Sensor Image Area (inch) Image Circle (mm) Image Circle (inch) Frame Size in MB Frame Size in Byte Max. 0 Apr 30, 2024 · Here’s a comparison of the crop factor of the Alexa 65 with its most important peers, as well as the aspect ratio (native): What does a large sensor imply? Here are some ‘issues’: For larger apertures, the lenses will be even bigger than their 35mm equivalents. 70 x 25. 68×17. The ALEXA Mini captured ARRIRAW Open Gate 3. 78 aspect ratio which allowed us to achieve a consistent Field-of-View to compare each image. You can shoot with a camera that utilizes a 16:9 size sensor (or gate) and frame for an anamorphic ratio utilizing frame lines; and then matte the top and bottom area outside frame lines to the scope ratio you framed. 8K is open gate, its not a 16:9 aspect ratio, its for anamorphic lenses. but "Open Gate" Is a 3:2 aspect ratio at These frame lines are 1. I wanted to create a claustrophobic atmosphere that would play into the story’s themes and genre, and the constraints of 4:3 made for a perfect canvas. 59 mm, that’s actually a smaller horizontal Feb 3, 2011 · The Alexa Frame Line Composer is a web-app that lets you customize frame lines on a computer and export them to the camera via SD card or save as images. This begs a question. Sync-sound and suitable for dialogue scenes, the 765 offers a speed range of 2-100 fps, a bright optical viewfinder, iris-compensated speed ramps, and a mechanically adjustable 180-degree mirror shutter. 44 aspect ratio. When shooting with 35 format 2x anamorphic lenses for a 2:1 aspect ratio result, Netflix accepts the use of a 2880 x 2880 area on the ALEXA LF sensor. The Mini LF can record either Apple ProRes or uncompressed ArriRaw all to the same Codex mini mag. Other IMAX releases that used the LF only used 1. This 4:3 Super 35 active sensor area is ideal for anamorphic shooting in 4:3 sensor mode which is why all ALEXA XTs & ALEXA 4:3 Plus upgraded cameras come I will have to correct you here, as RRR was shot entirely using Arri Alexa LF, which is imax certified. 0) is a two-in-one webtool for creating custom frame lines for ARRI cameras and a verifying tool to see how different lenses illuminate the cameras' sensor, your selected recording format or target aspect ratio. Jun 12, 2017 · I understand. 2K Arriraw would be in smaller file sizes thus longer recording times, less post processing because the frame is already the correct aspect ratio, and better monitoring as there is no need to display the full open gate with a smaller mask frameguide. 5K Open Gate mode (at 2:1 aspect ratio) a sensor area of 51. *some movies can be shot digitally and printed on 15/70mm film. 59 mm, which when cropped to 1. Since the Arri Alexa 35 is a new camera that was announced in mid 2022, this list is incomplete. Arri might be staying clear of anything that red could see as “compressed” raw. 00:1. Zooms? Careful what you wish for! Oct 7, 2014 · for all ALEXAs (excluding ALEXA HD and ALEXA Fiber Remote) 3. Mar 16, 2020 · The ARRI ALEXA Mini LF Digital Cinema Camera Body $58,760. + Can you shoot anamorphic? Yes, the LF has a desqueeze option in all modes. In our example, the final target format is set to DCI 4K 2. According to ther DCI standards: 2D Image: 2048×1080 (2k) at 24 frame/s or 48 frame/s, or 4096×2160 (4k) at 24 frame/s. Feb 2, 2018 · The MONSTRO 8K VV sensor that can be found in the RED WEAPON and just announced Panavision Millennium DXL2 is 40. The Mini LF has three modes; 3:2 Open Gate,16x9 UHD, or 2. 39:1 aspect ratio result, Netflix accepts the use of a 3148 x 2636 area on the ALEXA LF sensor (if you have The first decision that really set the tone in this regard, was the choice to shoot in a 4:3 aspect ratio. In the past I have had trouble matching this ratio in Davinci Resolve (free version). In 2K, for Scope (2. Yes, it is true, the ALEXA Classic, XT, SXT, Mini, LF, Mini LF and AMIRA all have a 3:2 aspect ratio sensor; the only exception is the ALEXA 65 with its 2. ALEXA has integrated clamps for 15mm rods. Jan 25, 2019 · Aspect Ratio. Arri Alexa 65, Hasselblad Prime DNA Lenses; Arri Alexa LF IMAX, Arri DNA LF Aug 25, 2023 · Hello, I am currently in post-production on a short film filmed on the Arri Alexa Mini LF using Anamorphic Lenses. 195:1 aspect ratio, which is roughly 1. 5x anamorphic lens, your resulting aspect ratio will be 2. Review ARRI ALEXA 35 All technical data related to the Alura Studio Zoom lenses by ARRI. 838:1 (2. In this example we are aming a final aspect ratio of 2. 5x anamorphic lens your resulting aspect ratio will be 2. This is an aspect ratio that is increasingly popular with television series, as it maintains the wide screen feel while utilizing most the screen area of modern smart phones. I believe the film was actually shot in 2K using the Arri Alexa. Oct 26, 2018 · intended deliberable has a 2:1 aspect ratio. However most shows using Alexa 65 are probably 2. Of course you have to correct the aspect ratio at some point, either before VFX or during grading. Is this a limitation of the free version? Oct 29, 2018 · 2. 72079. 43 image. The cinematographers' names, lenses types, and movies' aspect ratio are also listed on this list. It is approximatley a 3:2 aspect ratio resulting in 4448 x 3096 resolution. Ideal for multi-format shoots or whatever aspect ratio, resolution, and data rate suit your production, the Mini LF is truly cinematic, and truly flexible. 6K (4608x2164). Anamorphic lenses don't actually need the full width of the 4:3 image; they squeeze the 2. 12 mm × 25. And end up with transcodes with small borders around the frame. ALEXA is compatible to a wide range of production and lightweight matte boxes (15 or 19 mm system), follow focus units, lens control system (LCS) components, wireless remote system (WRS) components, electronic accessories and support systems. Slap on an Anamorphic Ultra Vista on that shit and you get the 2. The ALEXA Mini LF MVF-2 viewfinder weighs 800 g/1. 2 Feb 2018 • ARRI LF Special Report • ALEXA LF Camera • ARRI Signature Primes • Large Format 36. Alexa Mini Resolution Question . • Alternatively, it is possible to use Open Gate with the ALEXA XT Studio and the optical viewfinder with the Ground Glass Blank, 4:3 (K2. Whether it’s a high-resolution 4K output or the cinematic widescreen 2. 3x anamorphic lens with "de-squeeze 1. This is just like in the days of film, where you had the choice of shooting 65mm, 35mm, or 16mm, ARRI is giving you three different choices in digital. 2100) monitor; ARRI 709 Multicam - editable version of ARRI 709 for use with the multicam feature Aug 22, 2019 · *The Alexa LF was masked in post for a 1:1. 3 = 1. 6K horizontal resolution (4608 x 3164 resolution in Open Gate). 39 (or 2. 0b) is an online tool that calculates the record durations and data rates for different combinations of parameters like codec, resolution, project rate, sensor speed, recording media, and audio on/off. Jul 9, 2022 · If Netflix approves the use of 2. The benefit of 3. The Alexa 65 uses in ArriRaw 6. 85, and the light changes from sitcom to a moody and dimly lit house. This FLCOS micro-display panel has a resolution of 1280 x 784, and includes a surround view that enables you to spot objects just outside your recorded image frame. However you will have a taller and wider field of view using the 4:3, as you are using more sensor height. 0). 39:1) presentation 2048×858 pixels of the image is used. 85 : 1; Camera. 82mm cut-out of the sensor) as well as downscaled ProRes 2K (2048×1152) or ProRes HD (1920×1080), while a 2. "Dune" was shot in full-frame large format with ALEXA LF and Mini LF cameras. 85:1 Resolution Name Used Active Sensor Area Output Resolution native 2880 x 1620 2880 x 1620 HD 2880 x 1620 1920 x 1080 2K 2880 x 1620 2048 x 1152 UHD-1 2880 x 1620 3840 x 2160 4K 2880 x 1620 4096 x 2304 Frameline ARRI 1. The Arri Alexa Mini is compact and lightweight (5 lbs) and can record UHD-resolution images with up to 14 stops of dynamic range. measured with the ARRI Dynamic Range Test Chart (DRTC-1) Exposure Index Adjustable from EI 160-3200 in 1/3 stops EI 800 base sensitivity Shutter Electronic shutter, 5. ARRI has taken a long time to bring these features out. 39:1 mode captures footage at 4448×1856 in the wider ‘scope aspect Aug 23, 2018 · The extra resolution provides the best result when up-sampling to a 4K Cine format. 2 Target Aspect Ratio 1. When shooting with 35 format 2x anamorphic lenses for a 2. 90:1 and 2. 5 stops of dynamic range, while supporting Reveal color science, Arri Textures, and integrating easily into an ACES workflow. 2100) monitor; ARRI 2100 PQ 1K 200 - renders an image for a PQ (SMPTE 2084, ITU-R BT. This satisfies the 4K quality threshold by Netflix as an acceptable solution, if you are shooting with Alexa LF and ARRI Mini LF. 44:1. 39 : 1; Camera. angles of view for the ALEXA/D-21 HD camera aperture (aspect ratio 1. 2. 39:1 e. And often Alexa 65 footage might be mixed with S35 or IMAX. 39 aspect ratio on a film, according to the Netflix calculator, it is permissible to use a 2x anamorphic lens on a film with a 2. In a nutshell, according to ARRI, shooting on 35mm format anamorphic lenses for a 2:1 aspect ratio inside a square box, requires a resolution of 2,880 x 2,880 pixels. May 6, 2021 · ARRI has also added several new large-format recording modes as well. 43:1 aspect ratio is an effective sensor size of 36. 838), which is of course very close to the 1. The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. 00 : 1; Camera. It is 4. 1? Shoot with a 2x squeeze anamorphic lens on an ALEXA Mini LF in this new 1:1 (2880 x 2880) format, and the image desqueezes horizontally in a glorious 2:1 widescreen aspect ratio. Apr 4, 2022 · The wider aspect ratio of Alexa 65 sensors does lend itself to more widescreen formats, but people crop sensors all the time to get different aspect ratios. Small and lightweight, but solidly built, the 1 TB drive offers a reliable, affordable recording solution. 6K 16:9 and the framing is intended for 2. May 29, 2014 · The image is 1280 x 536 (2. Company 3, Aspect ratio. Arri Alexa Mini LF, Arri ALFA, Prime DNA, Canon Xtal Express and Cooke Xtal Express Lenses; Arri Alexa Plus 4:3, Atlas Orion, Apr 8, 2020 · The Alexa Mini uses in ArriRaw 3. 3x" enabled, viewfinder and/or MON OUT will deliver the full sensor image, properly de-squeezed, so a circle is a Just imagine the data savings on a show that shoots 1:2 4,5K, cropped versus one that shoots 1:2 in the full sensor 4,5K. Photosite Math For a 2:1 aspect ratio end result (after de-squeezing in post) you need at least 2880 x 2880 photosites on the The Open Gate for the Arri Alexa LF has a native ratio of 1. 0 adds a new s35 4:3 mode for anamorphic 35 glass. Aug 31, 2022 · The ALEXA 35 sensor has a 3:2 aspect ratio, just like the sensors of almost all our other digital cameras. 17 mm. 66:1. Thanks Jan. The ARRI EVF-1 Electronic Viewfinder for ALEXA provides a low-latency, film-style image display. 3. 2K) Aug 4, 2021 · Why would ARRI include a new 1:1 square sensor mode in the latest ALEXA Mini LF Software Update SUP 7. + What are the differences between the LF and Mini LF? The Alexa LF shoots higher framerates and has a built-in wireless video transmitter. 78:1 Just imagine the data savings on a show that shoots 1:2 4,5K, cropped versus one that shoots 1:2 in the full sensor 4,5K. Harbor Picture Company, Los Angeles The Avengers (2012) - Movies, TV, Celebs, and more Arri Alexa, Panavision Primo, PCZ, SLZ3, SLZ11, and Fraizer Lens System Lenses This Arri ALEXA XT Plus Camera Package is in ALEXA Classics with the XR Module upgrade will maintain their native 16:9 aspect ratio, unless the camera is further Feb 2, 2018 · In Open Gate mode, the Alexa LF captures at a native resolution of 4448×3096. 25 x 18. De-squeeze 1. The ARRI Formats and Data Rate Calculator (FDRC, Version 2. This IMDB list contains movie titles that entirely or partially shot on the new Arri Alexa 35. 6K 3:2 Open Gate – 4. The included 4:3 Open Gate, and ARRIRAW licenses enable ProRes recording in several widescreen options, as well as […] Dune part 2 recently shot on both Alexa 65 and Alexa LF, some shots were delivered in the full IMAX aspect ratio and others in a wider aspect ratio. Read the exact data. 3x Using a 1. Company 3, London, UK (dailies) Company 3, Los Angeles (CA), USA (color Oct 7, 2014 · for all ALEXAs (excluding ALEXA HD and ALEXA Fiber Remote) 3. The ALEXA 35 captured ARRIRAW 4. 6K 4608 x 3164, Cine License, PL Mount (LBUS), BUD-1 Dovetail, B-Mount Battery Plate, MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ, 17 Stops Dynamic Range, Motorized ND Filters, Compact Design. 3. 1:1 aspect ratio sensor. 78 In the following example you will find a combination of ALEXA Mini and ALEXA 35. 39:1 - 1. 0°- 356° or 1s - 1/8000s Recording Formats MXF/ARRIRAW Apple ProRes 4444 XQ Apple ProRes 4444 Apple ProRes 422 HQ Apple ProRes 422 Apple ProRes 422 LT Recording Media CFast 2. 6 Kg/5. 39:1 (Scope) 4096x1716. Arri Alexa LF IMAX, Panavision H-Series and Ultra Vista Lenses; Multiple frame lines can be used simultaneously, including a vertical 9:16 crop for social media that takes full advantage of the tall ARRI sensor. 85:1, imax 1. I have watched the film in 3 formats including Cinemark XD which was a 1. 39:1 with anamorphic lenses and other parts with spherical lenses so they could be shown in 1. 90. Nov 7, 2019 · ARRI's Frame Line & Lens Illumination Tool (FLLIT, currently Version 5. atz yavn lponp regiag ijo flnz fwviq wdvlt degfa yscedr jsqv gvkj jfecfl rrcv xxkptlx